A frazzled adulteress played by Parisian beauty Zoë Le Ber wakes up in the familiar surroundings of Bar Chateau Marmont, only to find herself trapped in a prank at the hands of her restaurant-owner lover, Fred.

A frazzled adulteress played by Parisian beauty Zoë Le Ber wakes up in the familiar surroundings of Bar Chateau Marmont, only to find herself trapped in a prank at the hands of her restaurant-owner lover, Fred.

A TV movie by Edgardo Cozarinsky.

A girl revisiting her ex inside her memory realms to self-reflect on her longing for the past. She expects this visit to make her feel loved again, only to discover that this is the last time.

Tohru Honda is 16 year old orphaned girl who gets invited to live in the house of her classmate, the handsome boy Sohma Yuki, and his cousins, 16 year old Kyo and 27 year old Shigure. However, these young men and parts of the rest of their family (both close and distant) hold a curse; if they are hugged by the opposite gender, they transform into animals of the Chinese Zodiac. Everyday is an adventure for sweet Tohru, as she gets to know everyone in the large family better (especially Yuki and Kyo), in both common and bizarre situations. But, the Sohma Family curse is certainly no laughing matter... it also holds horrible cruelty and heartbreak.

Cultural differences and racial boundaries collide in this powerful story of love between an Arabic Muslim man and an African-American Christian girl who strive to defy the odds. Facing disapproval from within their families and without, Shawn and Crystal must resolutely endure the hatred and bigotry that surrounds their romance in this Detroit-based drama of modern-day prejudice among minority groups.

The first stage adaptation of the Fruits Basket manga.

Free People employee Apple secretly runs a witchy femme cult in the basement of the mall store after hours with fellow fruits Cherry and Fig. But when new hire Pumpkin challenges their ‘girl boss’ ways, the women are forced to face their own poisons or succumb to a bloody fate. Based on Lily Houghton’s stage play: Of The Woman Came The Beginning Of Sin And Through Her We All Die.

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.